KÀ Furthers Amazement Of Cirque Shows With Story

I know what you're thinking: "Just what Las Vegas needs: another Cirque du Soleil show."

It turns out that's exactly what Las Vegas needs, especially when it's as groundbreaking, mind-blowing and visually stunning as KÀ, the new production now playing at the MGM Grand.

You'll get a sense that this is a different kind of Cirque du Soleil as soon as you enter the theater. Dramatic multi-level catwalks jut out into, around and above the audience space, serving to draw the viewers into the action, which begins even before the nonexistent curtain rises. As with most Cirque productions, you should get there early so you can catch the "pre-show," in this case a group of aerial performers doing wire work around the catwalks as the audience members take their seats.

The second thing you'll notice is the absence of an actual stage. Instead of a floor (or a pool for that matter), there is giant, empty space -- a pit emitting smoke and the occasional burst of fire hot enough to be felt 20 rows back.

The most important difference between KÀ and other Cirque productions is the story. Yes, there's an actual, linear storyline, as opposed to the traditional series of aerial and human strength acts tied together by performance art pieces that usually leave the audience visually stimulated but scratching their heads.

KÀ tells the story of twins -- a boy and a girl -- separated by war between two tribes in what appears to be ancient China who must find their way back to each other with the assistance of family, friends, strangers, enemies and a few animals.

Despite the fact the story is told completely without dialogue -- at least no dialogue in any real language -- the twins' journey and the dangers awaiting them are easy to understand, yet still retain that visually arresting Cirque style viewers have come to expect.

Central to that style in this particular production is the remarKÀble staging conceit: Instead of a traditional stage, the performers act out the story on a 50-foot-by-25-foot floating platform that can be raised or lowered, spun 360 degrees or turned on its side or end to create a five-story vertical wall. Other hydraulically operated platforms come in from the sides or the back to create an almost limitless series of sets, from a village square to a sandy beach to a sheer mountain face to an apocalyptic factory.

The overall style of the piece, in both tone and story, appears to be influenced by Asian martial arts films. If you've seen "Crouching Tiger, Hidden Dragon," "Hero," or "House of Flying Daggers," you'll recognize the touches throughout in epic sword battles, sneak bow and arrow attacks, and high-flying choreography.

The story begins as the twins arrive on a barge – the platform floating up – and take part in their village's pageant of martial arts. Suddenly the village comes under attack from a tribe of Archers and Spearsmen, separating the siblings.

The Twin Sister and several fellow villagers escape to a boat that sinks in stormy seas then find themselves washed ashore on a strange beach where crabs, centipedes and starfish (costumed performers) pop up to frighten and amuse. Read that sentence again -- sinking boats, underwater struggles, surf and sand -- and realize this is not a movie, but a live stage production.

The boat, for instance, is a specially designed, 1,800 pound structure that rocks and rotates violently in the storm, with all the motion provided solely by the artists on board. Reminding yourself this is happening before your eyes is something you'll have to do throughout KÀ, as the visuals evoke the setting in ways that leave you struggling to comprehend as anything other than magical.

The Twin Brother is spirited away by a protector who connects with the boy in a virtuoso display of shadow puppetry, displayed in giant form on the staging platform, now turned on its side.

Meanwhile, the Twin Sister and her comrades are discovered by the Archers and Spearsmen and must flee up a "cliff" -- the platform tilted and canted at a steep angle. As arrows and spears appear to narrowly miss our heroes and imbed themselves in the "rock," the performers use these pegs to stage a dramatic ballet of sorts, sliding, falling, and swinging across the face of the "cliff" without the aid of any harnesses or wires.

The Twin Sister manages to escape and is rescued, briefly, by a mountain tribe. But the Archers and Spearsmen are not far behind. The girl has to escape in a man-powered flying device resembling a giant bird that floats off the top of the "mountain" and swoops out over the audience.

The whole thing leads to an epic battle between the two sides done on the staging platform as it stands on its end, a sheer vertical wall that the performers appear to walk and fight upon standing upright. It's as if we, the audience, are viewing the battlefield from high above, with all of the soaring aerial work and swordplay done in defiance of silly things like gravity.

The show is not perfect. Some of the storyline scenes seem to drag on a little, leaving audiences itching for the next big fight or aerial bit of derring-do. But when the whole thing wraps up, it's the epic but sweet tale of these two twins that sticks with you just as much as the "How did they do that?" questions you will inevitably ask yourself.

Lots of people, including myself, have wondered if the city is approaching Cirque saturation. So long as the company keeps doing shows as well as KÀ, a masterpiece of storytelling, staging, performance, and production, it can have as many in Las Vegas as it wants.

Vegas4Visitors Grade: A

KÀ by Cirque du Soleil
MGM Grand
3799 Las Vegas Blvd. S.
(800) 929-1111
Showtimes: Friday through Tuesday, 7:30 and 10:30pm.
Tickets: $99, $125 and $150.